Captain Crozier (
goingtobeunwell) wrote in
singillatim2024-02-03 10:27 pm
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bad luck, old sport
Who: Francis Crozier and OTA
What: Uh oh, more bad luck for Milton's other resident old man!
When: Throughout February
Where: Crozier's igloo, the town and the outskirts, the basin
Content Warnings: The Terror AMC™'s specific flavor of horror -- possible mentions of cannibalism, starvation, illness, murder, gore, addiction, Victorians
What: Uh oh, more bad luck for Milton's other resident old man!
When: Throughout February
Where: Crozier's igloo, the town and the outskirts, the basin
Content Warnings: The Terror AMC™'s specific flavor of horror -- possible mentions of cannibalism, starvation, illness, murder, gore, addiction, Victorians
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His spiral into self-deprecation is cut short as he discovers one of those not-so-stable patches in the snow. Crozier stumbles forward with a gasp, catching himself before he falls onto his face, but only just barely. He lands on his knees instead, hand flying up to his mouth to muffle the scream that's wrenched from him by the shattered rib.
It's not enough, and his cry of pain is answered by a distant, lone howl of a wolf.
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He crouches, movements hurried now, then goes to his knees regardless of what a bad idea it would have seemed before to get his trousers wet in the snow. More stable this way, if he's going to be trying to pull Francis back up.
"We're closer to the cabin than they are to us," he says, wrapping an arm around Francis' back, changing what wants to be urgency in his voice to something a little hurried, but very firm. "Can you stand? Lean on me, I'll get us there."
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He finds purchase in Raju’s shirt and with the help of his sturdy form he hauls himself up, a second scream barely muffled by a bite to his lip hard enough to bleed.
“Go,” he gasps. Drag his sorry body if he must.
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There. Movement behind them in the dark. And then ahead, off to one side—
It moves out from wherever it had been, but doesn’t attack. If it’s holding back at all that must be because of Raju, obviously uninjured. Going forward too far might take them close to where it stands, watching, unless they go farther around it and take longer to get to the cabin. Long enough, maybe, for the wolves behind to catch up. Unless Raju and Francis can move fast enough.
Raju keeps his eyes on the one ahead while the hand on Francis’ back slips across the blanket’s side, into a little pocket there. He hadn’t needed his knife when he’d first heard Francis’ roof come down, but he may be about to need it now.
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It looks ill, a little mad — is it possible to tell? He’s probably starting to hallucinate, first with a monstrous, insane wolf and then —
Crozier hitches his breath and glances quickly to the man currently holding him upright. Still healthy, still hale. Not rotting from the inside out, not crying in pain from joints made of glass.
“If I fall, just let me go.”
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If I fall, just let me go, comes Francis' voice, and the sentiment is so opposite to the momentum of Raju's thoughts that Raju scoffs without thinking about it, even risks looking away from that wolf for an instant to give the other man an incredulous look.
"So they can make a meal of you?" he says dismissively, locking eyes with the wolf again. "No. But I might have to fight. If I do, you'll do better sitting yourself down before you can fall. And you'll make a smaller target that way."
He doesn't give Francis' plan, such as it is, any more thought than that. Dropping him and running away is less than an option, would only become necessary if Raju fails, and failure isn't an option, either. Now that Francis knows that Raju's version of the plan is better, makes it easier to keep him safe, he'll drop the ridiculous idea of failure, too.
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"Let's hope it doesn't come to that," he mutters, "if I sit I won't come back up."
He eyes the wolf, which pulls its lips back and shows its teeth. A show of dominance, but why is it waiting? "It's waiting for the pack. We don't have long."
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It doesn't matter. Raju will deal with whatever comes. "Keep moving. There's another one behind—"
He's interrupted by a growl. A growl coming from behind him. He keeps his turn slow, keeping the wolf in front of the cabin in view too, tries to shift Francis very slowly behind him as he does it. He keeps the hand holding the knife stretched out. Wolves are supposed to be clever, aren't they? If he's lucky, clever enough to know a threat when they see one.
Raju's fingers haven't gained any more feeling in them since the last time he thought about it, but he doesn't doubt his grip on the knife. Raju is very aware of the position of each of his limbs, of the feeling of the snow underneath his shoes and the hint of a breeze in his hair, of the sound of the wolf's slow footsteps, of the particular shine of the moonlight. His heart is beating hard, and his breathing is even. He can't afford to doubt anything.
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There's a beat between another growl from the second wolf and then movement from the first, and Crozier reaches out to grasp Raju's arm.
"Run, we just have to run."
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But there's Francis. Francis' ribs. His pain. No matter how small a target he might be able to make himself, Raju can't be everywhere. And the cabin is close. Maybe they can make it. Either Raju insists on staying here and finds out for certain whether he can survive against these wolves while there's only two, and can't be everywhere at once, can't always be between Francis and those claws and teeth, or he runs, where success means that they both make it. There's a chance they can both make it. A chance is enough to make it matter more than proving anything. His grip goes tight on Francis' shoulder.
"Go," he says and starts as fast as he can at an angle to the cabin, meaning to dart around the first wolf and then turn to make the straight shot to the building, legs pumping, arm tight around Francis' back. If Francis, injured and hurting, can't run as fast as Raju can, if one of them slips or catches one of those deep patches of snow—
He has his knife. He can't turn to use it if he's going to run but his awareness of the weapon where he's holding it out and behind him is as sharp as the knife itself, as his awareness of his legs, his feet, the air burning in his throat and his weight over the snow, the weight of the other man under his arm. He sees a flicker of orange in the corner of his eye and knows the blade has burst into flame and only thinks, good, satisfied, caring only that if he does get a chance to prove himself, that will help him win. He doesn't look back at it to see, only knows, and runs.
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He feels heat at his side and momentarily forgets the risks of taking his eyes off of the path in front of them, turning to look at -- a flaming knife. That's certainly unusual. He trips in surprise but catches himself before he falls. Forward, Francis, forward, don't turn your head again.
The wolf must sense he's injured, seen the stumble, because it suddenly lunges forward towards the two men.
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His foot hits the first step of the rickety porch. It creaks, gives under his weight ever-so-slightly, but ultimately holds.
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"Go!" Raju's voice is urgent and hard, his focus is narrowed to the beating of his heart and the weapon in his hand and the eyes reflected in the dark. There's the smell of burned hair and a dark shape writhing in the snow, and something moving in the distance, and something close. Even if the other nearer wolf makes it onto the porch, even if the door of the cabin is closed against them, Francis is going to make it inside. "Window if it's locked!"
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He manages to once more catch himself and grabs for Raju, intending on pulling him to safety with him. No need to fight the wolves now, there's safety here. They've made it, it's going to be all-right --
Crozier's head spins slightly, Raju's figure blurring slightly.
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There's a thump against the wood outside. The fire over his knife flares at the noise and Raju's still for an instant, watching, and then moves forward and uses its light to see the doorknob, hand moving as quick as he can to lock the door. Then he steps back again, turning on his heel. The fire over the knife is starting to gutter, flaring and dimming with every few beats of his heart. It doesn't make for very much light, and the fading of the moment, the realisation that they might be safe, is making Raju conscious of it in a way he wasn't before. He holds the knife half behind him, shaking it to try and put the fire out, and steps toward Francis, trying to see what he can of his face.
"Francis." His voice is heavy with relief, with all the breath he hadn't allowed himself to take when the threat was too near, and his free hand grabs at Francis' upper arm. "We did it."
Obvious, maybe, but worth saying for the laughter creeping into his voice, and the triumphant smile growing over his face. Not much warmer than it had been outside, and darker, but safe. That feels worth being proud of, right now.
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Is it possible the wolves didn't follow them inside? The freeze? The potential for more harm? He tries to feel the relief that's supposed to accompany a close call, an actual successful escape, but instead he only feels his brain continue to swirl about inside his skull.
He tries to grab for Raju in return, his hand connecting briefly before his brain decides that the adrenaline can no longer sustain it. He touches his arm and then promptly drops, body crumpling to the floor of the dusty cabin with a low 'thump'.
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If one of the wolves had gotten to him, Raju would have noticed. So of course he isn't dead. But when he fell, probably jarring his ribs awfully, he hadn't screamed. And he'd mentioned a headache, hadn't he? If that had meant something worse than just a headache...
"If I could just see," Raju mutters, frustrated, and then raises his voice a little and makes it brisk, patting at Francis' cheek. His other hand grips the man's arm, a little more tightly than he realises. "Francis. Wake up now. There's still too much to do, you can't sleep."
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He groans softly as his cheek is tapped. He's alive, conscious enough to respond in the smallest of capacities, but any more than that is asking for far too much. If he had the wherewithal to apologize to Raju he would.
"Cold," he whispers, voice so faint that if there were any other noise he wouldn't be heard.
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Raju takes a bracing breath, straightening his back. Cold. That should be the first thing. A fire to warm Francis up, and allow Raju to take a real look at him. He’ll take care of that first, and everything else will follow from there. There’s the fireplace in the room just to his right filled with a few ancient looking logs and ashes, and that will be enough to start with.
Tinder first. There’s an old newspaper nearby— further from town, this cabin might be less picked over than the ones closer — and Raju grabs it, then digs the quartz and the head of some old hammer, small but good enough to spark, out from the pocket in the blanket over Francis’ chest, then moves over to the fireplace with them. He crumples the newspaper and tears it roughly, more concerned with being quick than thorough, and watches his hands try to mimic the movements that remind him of Seetha now, of remembering the way she’d used to light the stove before meals, the way he’d used to sit and watch and talk to her. But the smooth way he’d been able to do it when he’d practiced before is gone; his hands aren’t steady enough for anything that precise. They’re shaking again, or shaking still, he’d thought that had stopped but he can’t get a single damned spark.
He looks over his shoulder, frowning, jaw clenched. It’s too dark yet, he can’t see Francis from here, and the man’s voice had been so quiet before. At this rate if he says anything else at all, needs anything, Raju isn’t going to hear it.
Damn it all. This first, then. Francis will need to be closer to the fireplace eventually anyway. Raju tosses the useless quartz and steel on the ground and walks back over, crouching behind Francis’ head.
“I’m going to drag you now,” Raju tells him matter of factly, not sure if his words are even being heard, saying them anyway. “It’s probably going to hurt.” He takes a breath for more, an apology waiting behind his teeth, but hesitates before it comes out. It doesn’t do anyone any good, does it, apologizing for something that he’s still going to do.
Still, he hesitates.
Then he moves, sliding his arms under Francis’ shoulders and hooking his elbows around Francis’ armpits, and goes backward in a crouch. It isn’t far. He’ll be able to settle Francis where he needs him in a moment, in a few seconds, and then Raju will be able to hear if anything happens, and then he can figure out how to get on with things.
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But the exhaustion, the exhaustion and agony —- he barely even makes a noise when he’s dragged across the dusty floor of the cabin, despite being twisted and moved and feeling his broken ribs get pushed and pulled. It’s not just the sort of tired in mind and body, but his soul is worn and ragged.
It occurs to him that it would be so easy - and welcome - to just let himself slip away. It wouldn’t be fair to Raju after how hard he’s fought for him, but it’s tempting. His mind begins to wander, slipping away from the present and bringing him back to that silent tent in the mutineers’ abandoned camp.
“They all died. They all died, every single one of them…”
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But he can worry while doing what Francis needs him to. He moves himself over to the quartz and steel, picks them up to hold them over the fireplace, tries to strike one against the other and scowls at his shaking hands.
He glances over at Francis, needing to split his focus to something other than his failure, needing to check on him, to know:
"Francis," he tries. It's not as if he couldn't guess it, that there's some kind of shadow in this man's past. Irishman sailing with the British navy, but living long enough in a frozen place where nothing grows that he'd need to learn from the people living there. And he must have spent years living in close quarters on those ships, but wouldn't stay in the Hall during that storm, the Hall where the majority of the food and firewood and preparation was going into, and wouldn't say why. There was always something there. It was never Raju's main worry the times that they'd talked, and wasn't any of his business. Is Francis telling him now, for some reason? Or has he forgotten it isn't happening? "Do you know where you are?"
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Crozier grimaces as he hears Raju trying to light a fire, pain in his chest throbbing now that his body's started to settle into the hardwood floor.
"Jopson, Little, Goodsir...Gibson, Hickey -- I know them, Raju. I know them. They were a part of my crew, my men."
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"I thought there were an odd number of navy men about." It's hard to make the kind of light comment he usually would, and his smile tells the strain. But despite Francis' answer, Raju isn't confident that Francis does know where they are, not entirely, and the first thing Francis had said after collapsing was how cold he was, and Raju's damned hands still won't work. And of course the... the thing which doesn't bear thinking about is gone from his knife, and gone now that he'd use it on purpose, if he only knew how.
He moves his hands, tries to brace them against the side of the fireplace and the floor. He'll try it this way. And he'll try to keep Francis talking; it's important again, if he wants to try to keep the man's mind here, with him. But a man who's dazed like this might share any number of things that he wouldn't if he were healthy and feeling well, and Francis is a friend, and there's nothing that Raju has to take from anyone that they wouldn't give, here. Not knowledge or anything else.
But it's hard to keep a man talking without pushing to know more. He'll try.
"You're their... captain? Did you tell me your rank, when we met?"
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“No,” he finally answers, voice sounding faint. “No, I’m their captain no longer. They’re dead, all dead. I don’t know why they live here, but where I’m from they’ve been dead for years.”
cw idealizing dying (I think?) also this is embarrassingly long but Raju has a lot of feelings
cw: mentions of suicide, cannibalism (also never apologize for writing a lot!!! <3)
<3
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CW self immolation
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cw awh yeah cannibalism time
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cw just more cannibalism from here on out
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cw: suicide
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