Chloe Frazer (
desperate_times_right) wrote in
singillatim2024-03-14 07:11 pm
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A beautiful fiction I invented to keep out the cold
Who: Chloe Frazer & others
What: Catch-all; open prompts
When: March and April
Where: Around Milton
Content Warnings: Self-injury content related to the echo effects. Descriptions of canon typical violence and murder. Talk about hunting/eating animals.
Chloe doesn't trust Methuselah as far as she could throw him, and a trip through a mine where she's forced to rely on the goodwill of a bunch of cop types does not sound like her idea of a good time. Also, sticking around Milton when most of the people who 'patrol' (imagine her air quotes) are away is a great opportunity to snoop in people’s houses.
Anyone who remains in or returns to Milton may find her either doing her usual wild running in the woods, checking her snares for snacks, or sneaking around newly empty locations to see what's been left behind.
Aurora nights are a different thing, however. Chloe likes to think that she's done her best to do right by the people that she cares about, but the truth is she's cut a few throats in her day, stepped over others to make sure that she would wind up on top. Something about the aurora this month brings every one of those memories roaring back. It has her running faster, drinking until she can't see, and doing risky climbs onto (and jumps between) rooftops, trying to escape the feeling.
What: Catch-all; open prompts
When: March and April
Where: Around Milton
Content Warnings: Self-injury content related to the echo effects. Descriptions of canon typical violence and murder. Talk about hunting/eating animals.
Chloe doesn't trust Methuselah as far as she could throw him, and a trip through a mine where she's forced to rely on the goodwill of a bunch of cop types does not sound like her idea of a good time. Also, sticking around Milton when most of the people who 'patrol' (imagine her air quotes) are away is a great opportunity to snoop in people’s houses.
Anyone who remains in or returns to Milton may find her either doing her usual wild running in the woods, checking her snares for snacks, or sneaking around newly empty locations to see what's been left behind.
Aurora nights are a different thing, however. Chloe likes to think that she's done her best to do right by the people that she cares about, but the truth is she's cut a few throats in her day, stepped over others to make sure that she would wind up on top. Something about the aurora this month brings every one of those memories roaring back. It has her running faster, drinking until she can't see, and doing risky climbs onto (and jumps between) rooftops, trying to escape the feeling.
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She watches the showmanship with no small amount of amusement anyway, and by the time he proffers the spoon for her to taste her mouth is watering at the smell.
“Hey, as long as I'm getting food I don't care.” She leans in to taste it anyway. “Seems good to me. I'm no good at this stuff.”
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The pheasant, he cooks in the cast iron; it's a smallish bird, so it cooks fast. He sets it aside to rest. Then, in the same skillet right after: rice, sauteed with some more oil and the pheasant juices and garlic and onion powder. Add water, and it bubbles up. He adds jarred tomato sauce and a packet of Knorr chicken broth powder. Then, stir in canned tomato sauce, any spices he's managed to find that Lalo thinks would be appropriate. Once everything's dissolved, he puts a tight lid on the rice to let it simmer. Chloe might have to wait a little bit for the pheasant, but that's okay. She can wait.
But eventually it's done. Lalo fluffs it with a fork before portion it onto plates with half the pheasant pieces each, one for him and one for her. He pours the honey-lime sauce over the pheasant, pleased with himself as he does so, before whipping the towel off his shoulder as he goes to sit down at the table. He sets Chloe's plate in front of her, with already in the rice, grinning, and drops down into the chair across from her.
"Well? Tell me what you think!"
But sitting down is strangely painful. When he was working, he wasn't thinking. When he wasn't thinking, he wasn't feeling guilty. Now, no longer absorbed in a task, the guilt creeps back up into Lalo's consciousness. He tries to bat it away without letting her see it; he hopes she can't tell. So he keeps smiling.
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She eats in silence for a while before replying, “I think it's a good thing you could touch the pheasant without hurting yourself.”
Yeah, the bad feeling’s still there but she's not thinking about it. It's fine.
cw: drug overdose mention
Lalo grins at her and reaches over to gentle give her shoulder a playful shove before he's reminded, too late, of how much that hurts. He grins, sitting back in his seat, rubbing himself.
It's such a nice scene, he thinks. Almost crazy to think less than an hour ago they were hurting each other on purpose.
Crazier to think he deserves it. Lalo has never thought about the consequences of his drug-dealing before, not even a little bit. But he wonders suddenly now, a thought not wholly his own but prompted by feelings of guilt he's been forced to experience against his will: How many people every year die from drug overdoses?
How many of them are kids?
He decides he doesn't want to know the answer and keeps grinning at Chloe like everything is fine.
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He winks. "Come back next time. We'll do this again. If you can get past he traps."
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