𝕵𝖔𝖊𝖑 𝕸𝖎𝖑𝖑𝖊𝖗 (
kidproof) wrote in
singillatim2025-04-22 06:33 pm
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Entry tags:
please don't deceive me when i hurt you
Who: Joel Miller (
kidproof)
What: Just DITL of what my loser gets up to in Milton, and the frozen wasteland they now call home + some event top levels.
When: Month of April through to May
Where: around — reach out for any closed starters you may want. His app is here and his permissions too. Reach out to me on plurk at
doggos or on discord at
newdlle
Content Warnings: TBA - will update here and by headline when necessary. Advance warnings for Joel being Joel.

![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
What: Just DITL of what my loser gets up to in Milton, and the frozen wasteland they now call home + some event top levels.
When: Month of April through to May
Where: around — reach out for any closed starters you may want. His app is here and his permissions too. Reach out to me on plurk at

Content Warnings: TBA - will update here and by headline when necessary. Advance warnings for Joel being Joel.

the hunt, ota
So, when it comes time to take down the titan despite his kinship with the old beast as another from one battle scarred old warrior to another, the meat, and the pelt provide too much of a resource to the town and its inhabitants for him to look the other way.
At least, that’s what he tells himself.
The truth is, he’s got to blow off steam and release all he had pent up. He can feel it brimming, boiling under the surface like a volcano about to blow. He’s got more questions than answers, and the adrenaline he’s been riding directly conflicts with how little he’s slept in the last month.
When the floor gives way he goes tumbling with the rest, spear in hand and rifle slung over his back by the strap. He hits his knee hard first, and then goes feet over head to land half on his side and half on his back. ]
Ah, hell…
[ Joel plants the blunt end of his rifle and uses it as a cane to get up and out of the snow. There's the litter of debris everywhere and powder white in the air from them knocking the snow around.
He follows the variances in color, and pushes the toe of his boot into a heap of a coat that's embedded in the snow with no clue if it's attached to a living person or a corpse. ]
Hey. Get up.
what one man can do, ota
The Old Bear was at least reliable in its pursuit, in the fact that specter or not it was a damned animal and behaved like one. Joel still remembers his dream pretty vividly, so when shit hits the fan down in the hollowed out area where the others had been trapped he’s not surprised.
He’s sporting some nasty injuries, scrapes and gashes he couldn’t feel bleeding thanks to the natural charge in the air but the flecks and the self sacrifice leave him not with a sense of accomplishment but with a churning sick kind of disappointment.
Joel’s got his palm over his right flank where he took a blow from getting knocked back. It’s already shadowed up in a bruise as dark as the room around him. He’s up, kicking the wood that had peeled off the building around them in the altercation on his way to pick up the damn abalone claw. He stows it in his pocket and staggers to the wall to plant his shoulder when a dizziness grapples him. ]
What a waste.
milton school house, ota
It would be a cold day in hell that Joel would be the life of any Milton School House supper but cold it was and hell it very well could be so he made the occasional trip when his hunting heralded him no results or sleep couldn’t find him for more than a night or two. The crackling of the fireplace stirred something in his soul, and so he’s laid out, bandaged up on the side that took the blow from Old Bear, his flannel shirt open and his winter coat being used as a head rest.
He’s got a dusty old copy of The Brothers Karamazov open on one knee and the claw from Old Bear out on his other glinting off of the fire light. He’s been unraveling the parcord from an old bungee cord he’d pilfered from one of the houses in between chapters and the text is faded and discolored, making it difficult for Joel to read for too long without a resulting headache.
It’s a delicate dance, the books text, his work on unbraiding the old bungee cord. It leaves the small space in front of the fireplace looking like a bomb had gone off and Joel had been the casualty.
Put “Always doin’ too much,” on his headstone. ]
You're in my light.
[ Curiosity gets you an irate look and he'll drop whichever thing he's working on. The claw, the cord, or the book and stare at a person deadpan until they say something.
If they don't: ]
Take a seat or keep moving but if you don't get out of my light I'll ankle pick you.
no subject
And with Max on his apparent journey, she finds herself walking back to town. Not for company, exactly. She's not sure exactly for what. She spots a familiar face and walks over. ]
You always so friendly?
[ Not really a question. She folds into a cross-legged seat next to him near the fire, apparently largely unbothered by the threat. It's kind of familiar, actually. She likes it. Or at least she doesn't mind it. ]
no subject
Joel's had a reputation around this place since day one but it didn't get any better after he'd left and come back. In some ways, it was worse, those who knew him from before now gave him the wide berth he'd been looking for since round one.
Her reply gets an earnest sort of sideways smirk out of him, his flannel is off and under the small of his lower back. Leaving him in just his jeans with bare feet toward the open flame and his chest aglow from the source his new bandage work not as bloody as the last, bruising a ghastly color compared to the tone of his skin. ]
Yeah, I'm a delight.
covers up the timestamp with my hand
[ What kind of company does she usually keep? Never mind. She looks forward, eyeing the bandage with a sort of casual curiosity. ]
What's the story with that?
[ Her question lacks any sort of put-upon sympathy or saccharine pity. He's still standing, that's enough of its own reward. ]
no subject
[ Any opportunity to rake Methuselah over the coals was a good time for Joel, but it's so very clearly not how it went down. He's got the tone and all the markers of an old man veiling "None of your business," in the form of a sharply placed quip. ]
Didn't you hear? Chivalry's dead? But there's enough fire and flame for both of us if you're lookin' to warm up.
[ And that's as generous as Joel is willing to get with his niche little spot in front of the fire. ]
no subject
Can't argue with a little warm up by the fire though. She toes off her boots so she can warm her feet up and lean forward to keep the end of her blunted left arm closer to the fire, phantom pain always acting up in the cold.
She knows the cold can steal limbs, and she doesn't exactly have the appendages to spare. ]
It ever actually get warm here? Guess I can't complain since the sun finally came back but I was hoping it'd get a little less crisp during the day.
no subject
[ Joel's in a similar state, bootless, shirt open, his holy socks pointed toward the fire. His wounds from the bear situation have been tended nicely, and the blood has coagulated. It's a testament to his comfort that his stew has been set off to the side and he's just relaxed in front of the open flame with the book.
He evens maneuvers a bit to allow her some extra room to do the same, to let the heat lick at any aching bones or old injuries. He regards her blunted arm with very little concern, the same as he would with any other survivor. There were just some things that mattered less when every waking moment was occupied with survival. ]
Ya cozy?
no subject
[ But Furiosa's pretty adaptable. Sturdy. As long as she can still stand upright she'd probably say she's doing good enough.
The fire is nice though. She scoots a few inches closer to it, massaging the end of her left arm with her hand. ]
Never saw snow before I got here. Starting to get used to it.
no subject
That's why he always posted up in front of the lofty fireplace when he was at the schoolhouse. It was the one thing he could come to rely on when everything else was undependable. ]
Yeah, it's a real bitch, but seasonal where I'm from.
farm house homestead, skirts of milton, ota
Joel's working with wood, and the sound of his mallet pounding nails through the wood that wasn't rotten through from the dampness of the snow and sleet echoes off of the flat margin of land between him and Milton. So does the sound of the saw, and the fire he's got burning in an old metal barrel to keep him warm while he works if the sweat's not enough.
He's singing to keep track of the time, under his breath, Future Days by Pearl Jam. ]
All my stolen and missing par-
[ It's when he pulls down a hot cup of steeped herbs that almost managed to taste like tea that he realizes he's got company. ]
Why can I never do my chores alone? I reckon if you're gonna stand there looking stupid you might as well make yourself useful. Can you grab me some more wood from over there.
[ Joel jerks a hand in the direction of the wood pile he's already chopped apart. Less work for his back if he's gonna have spectators any time he decides to patch holes in the fence and the foundation. ]
no subject
There, he halts. He doesn't immediately put anything on the fire. He hasn't been told to do so yet. This man might want it done a particular way.]
no subject
[ Joel's going to have to address the random house guest or in this case barn guest. No wonder Callus was so vocal this morning, Joel figured it was the shoes and made a mind to figure out how to play Ferrier but now he knew it was because he wasn't alone. ]
That'll do for now. Should I ask why you're camped out at my place? If you're smart enough to get around my boundary work then you're smart enough to know I'm gonna charge you for your keep. Labor, time, or resources.
no subject
Edward once loved the sun. Now, it brings him agony.
Still, he tries to force himself to bear it for at least some amount of time, inbetween the periods where he needs to shut himself away indoors, curtains drawn, towels stuffed under cracks in doors, snuffing out as much light as possible. He insists on getting some direct sunlight here and there, hoping that it might help stave off his own darkness.
So here he is, a solitary dark figure dressed in the full uniform of the Royal Navy, shotgun slung over one shoulder. Doing one of his usual patrols, or some ghost-echo of it, for he's in no shape to actually do much of anything. The fatigue and illness brought on by the sun keeps him slow and heavy. His complexion's pallid, rich brown eyes now dulled and dim, breathing staggered. He might have pushed himself a little too hard, but if he doesn't, then what is the alternative? To give in to— to this?
(He longs for shadow, for the comfort of darkness. And beneath his ache lurks a hunger, terrible and yearning. What has he become?)
Someone's alive, up ahead. There's an old farmhouse that has been abandoned for a time, but now someone's there. He hears a voice, he's drifting that way, gun slack against his back, head dipped down, breathing hard and heavy.
The man.... He recognises him, the way he knows every Interloper that's come through here — perhaps not well, he'd hardly spoken to him, but ever since his own arrival he'd kept up with the roster of residents. This man was gone, and now he's back. It's enough to perk Edward's head up, hazy eyes wide and surprised.
He starts shuffling over towards the wood pile to fulfill the man's request, letting his gun slide off of his shoulder, resting it down. Two pieces of wood is all he can manage grasping in his arms, and as he brings them towards Joel, he's looking faint. He's stubborn and foolish and desperate to keep going. His words come out in a breathless rush. ]
You were here before, weren't you...? You've returned to this place.
no subject
After hauling bodies out of the snow, burying them, burning some — there wasn't much left to discuss. After he moved out to the farmhouse his presence in the schoolhouse got scarce and Joel did what he could to not have to go there and deal with Methusalah or any of the newer recruits to save himself the grief.
He doesn't recognize him, but he regards him the same way he would any other person out this far and meets his gaze when he drops the wood mild concern in his expression but not enough to state it openly or out loud.
Joel jerks his thumb in the direction of another chair. He looked like he could use a seat, but he's not gonna waste his words hammering that point home. ]
Yeah, some real good fortune, huh?
no subject
Thank you, but I'm all right. It's best to keep one's hands busy.
[ He sets the wood down and goes to get more. He has to move slowly, but he still moves. ]
Forgive my asking, but do you... remember everything, from before?
[ La'an returned after she too disappeared, but she wasn't the same. She remembered nothing and no one. ]
no subject
I remember enough. Some things are hazy. Why?
no subject
There was another who... left, and then returned after some time had passed. But she was not.... She remembered neither her experience here, nor any of us.
[ It's all very worrisome, thinking about the influence this place has on a person's mind. The supernatural influence. ]
Do you feel... at all changed?
no subject
Can't say that I do. Not like whoever you're referring to. It was like going to sleep, losing time, but I remember enough. I remember plenty. I know I don't fuckin' like it here, and that none of this ever seems to get any better.
no subject
But this man is different from the average Interloper. He vanished, and then came back. Like La'an did. Is there a reason for that? A pattern? And a worse, horrific thought — what if that pattern means he's a mark for the Darkwalker? If his pattern continues to follow La'an's..... although it's clear from his response that the pattern isn't fully the same. He remembers being here. ]
...I see, [ Edward answers thoughtfully, his own brow knit. ] I wish I could reassure you that our circumstances have improved since you were here last, but... unfortunately, things have only grown worse.
[ He casts a look around, a worry creeping in. Bad things have been happening to people on their own. ] Are you living out here alone, sir?