Wynonna Earp (
pacificator) wrote in
singillatim2025-05-12 11:49 am
the wine, the beer, the whiskey are the only things that fix me
Who: Wynonna Earp & you!
What: recuperating after March-April, reaping consequences, etc
When: backdated to late April-May
Where: the Saloon (the old Post Office)
Content Warnings: Alcoholism, a little light cannibalism, others to be listed as needed

What: recuperating after March-April, reaping consequences, etc
When: backdated to late April-May
Where: the Saloon (the old Post Office)
Content Warnings: Alcoholism, a little light cannibalism, others to be listed as needed


My friend named Jack, he's got my back — OTA
Patrons and friends who come in may find Wynonna putting up thick dark blackout curtains, turning the inside of the saloon into a candle- and firelit cocoon, all slivers of the now near-constant sun blocked by heavy cloth. Interlopers with a new affinity for darkness who brave a few moments out in the sunlight will be rewarded with a dark, cozy place where they can hang out with a drink and do their best not to snack on any of the other patrons.
But sometimes the windows are left open, and the sun streams in. If an Aurora swirls overhead, Wynonna can be found taking advantage of the electricity to play music on a boombox she'd brought back from Lakeside, playing a few CDs and tapes she's collected over the months.
As for drinks, the usual pine wine is on offer, but so are a few new varieties, flavored with wintergreen or other forageables, while jugs of hillbilly wine flavored with canned fruit ferment in the back room. And if you're really nice to the proprietor, she might even share some of her secret stash with you: real bourbon or gin squirreled away behind the bar. Maybe don't mention the way the clinging aura of colors around her flickers, shifting from one to the next without warning.
Just be sure to read the sign on the bar — management reserves the right to refuse to serve assholes' — and behave accordingly. This management takes that shit seriously. ]
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Sure, she's still a little wary of Wynonna, but she's happy to see her instead of March. He's still giving her shit about the whole “switched bodies with a cowboy” thing.]
Hey. Nice place.
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[ She looks around from where she's by the fireplace, collecting a couple of dirty glasses, trying to see the place through someone else's eyes. It's in pretty good shape, all told, aside from the long jagged crack in the wall from the earthquake that Wynonna had spent an afternoon patching with plaster. ]
Thanks. Kinda seemed like we all could use a place to drink.
[ She heads back to the bar, glasses dangling from her fingers, and tosses a question over her shoulder at Chloe. ]
What can I get you?
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She always looks serious, but tonight she looks truly miserable as she approaches the bar.]
I don't suppose you two serve mead here.
[The honey might make her too nostalgic, but she wants to forget how to have thoughts.]
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[ She leans on the makeshift bar, shifting her weight to the leg that doesn't currently have a still-healing bite wound in the thigh, and sets her chin in her hand as she looks at the other woman. ]
For right now I could put some honey in some whiskey for you. Make a hot toddy with some tea, if you're into that.
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So you really did it huh? Here- [The bottle is set down on the flat surface in front of her.]
An openin' gift. Every bar needs some 'good stuff' to hold back.
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Well, well, well. Look what bad news blew into my part of town.
[ Thunk goes the bottle back down on the bartop, and her smile crooks. ]
Every bar could use a cowboy, too. Thanks for providing.
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Now she's intensely curious and actively exploring, and she ducks into the darkened tavern with a bright spark of interest, a tall lithe form in practical layers and with a sensible braid. She swans up to the counter and reads the sign, approving. ]
How's this work? Do you give out alcohol for free to people who aren't assholes?
[ Root smiles winningly, turning on the charm as if to demonstrate she is not an asshole. ]
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[ Largely because there's no point in taking money when there's nowhere to use it. Maybe she should start, though. Get a pile to just lounge around in, Indecent Proposal-style.
She's been here so fucking long that even she, avowed person-hater, brightens up a little at the sight of someone new. It's easy to get sick of the same old faces, especially when so many of them are so annoying, so the newcomer's smile gets a mirrored one from Wynonna. ]
But we do accept donations, should you be overcome with the desire to support our little venture.
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Everything tastes like sand to a vampire, but Louis keeps up the appearance of being human. He has been known to occasionally be seen drinking spirits, and the heart wants a place of familiarity. And there's one person who, if she were in the mood, would allow him to truly drink. (Whenever Louis hears about someone becoming allergic to the sun, he wonders if this time it will prove to be another of Lestat's fledglings, nevermind that Louis has been freer with his fangs.)
He only comes out at night. Louis doesn't like looking like a Christmas tree, but it is what it is. The pink can be safely stowed away unless Lestat were to walk in. Louis is hardly happy, so gold is right out too. But tired gray is often present, even sad blue or introspective purple. He takes off his old-fashioned hat and coat. His bright green eyes are clear, but not too clear. He knows, better than some of the newly minted night creatures, not to walk into a human establishment starving.
"Evenin', Miss Wynonna. Finally got someone to mind the store some nights." Those nights might be commandeered for Dungeons and Dragons, but Louis can't complain.
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Wynonna nods to a rack of coathooks by the door and heads back around behind the bar to set the used glasses into a bin for washing later. When she straightens, she lifts her hands in a wide gesture at the little homemade saloon, shabby but as comfortable as she and March could make it. "Check it out, I'm going legit."
Just like him, their pre-eminent small business owner here in Milton... for whatever 'business' is worth when no cash ever passes hands. The grin she tilts his way is crooked and full of her usual slyness, like they're both in on a joke, but there's something real behind it, too. She's never managed to build anything before. "Even getting some classier clientele, looks like."
back from unplanned hiatus im sorry!! i forgot we can only choose 1 rune so retconning his aura out
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When he finally reaches the saloon, this pale, clammy man finds a place out of the way to sit where it's darkest and he can recover, grateful for the blackout curtains. It's only a few minutes before he gets up and strides to the counter. Anyone who's known Bruce or just have seen him around knows his gait used to be strong, confident, self assured. But there's something a little unsteady in how he moves. When he reaches the counter, he leans on it and offers the bartender a smile. ]
I hope you have something strong back there.
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He's good-looking — a strong jaw and dark eyes and charm in his smile that's a little less ostentatious than the cosmonaut (who isn't allowed back into the saloon, no way) — but definitely a little pale and peaky. ]
Everything we've got is strong.
[ Mostly because it's homemade moonshine and hillbilly wine, but beggars can't be choosers. ]
How do you feel about amateur-made moonshine? Wintergreen or rosehip flavor's what we got right now.
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But, really - maybe more than just that, it's that he wants to hang out with a friend for a bit. And get a drink on top of it. Sounds good to him.
Maybe that's why there's a very faint hint of smile on his face as he steps into the saloon. ]
Damn, Wynonna. It's kind of like you've got a real business going here, music and all.
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Don't sound so surprised. You think I haven't been in enough saloons to know how to run one?
[ Waverly had been the one to work at Shorty's, but it's not like Wynonna's only ever been on one side of the bar. ]
Thanks for coming.
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He still only comes to the saloon in the evening, as close as it can be to fully dark here. Sorry that your clientele is a lot of weird vampires, Wynonna. ]
A pub! Precisely what this place needs, and I say that with absolutely no sarcasm in my voice what so ever. [ He really wants a fucking drink. ] I'll be more than happy to donate whatever spare change I manage to find beneath the seat cushions but we aren't doing paper money and coinage in this economy, are we.
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[ She straightens from where she's just finished putting a couple of new logs on the fire and brushes pieces of bark from her hands. ]
But if you want to drink anything other than what we've got on hand, we're always taking donations for shit to flavor the shine with.
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Still sporting a slight limp from the damage sustained in the bear attack he brings Callus over and pins him to the side of the old postal docking bay for refuge from the winter elements under the overhang and between two walls. He cared as much as a guy could and considered the horse an unfair casualty of a life he didn't deserve to deal with.
He walks around and up the steps slowly, making measured efforts not to make matters any worse, and when he swings open the door a bell announces his arrival and he tips his head in the direction of it nostalgic for the sense of normalcy it brought to the establishment. ]
Well, lookit here. I came for the hooch and found the house guest.
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You have turned this into a respectable business, Miss Earp. And to think I placed my bets against you.
[Seeing her again is like...seeing the sunshine after perpetual night. Seeing her again is like feeling warm again after a cold winter. He starts to walk quickly towards her.]
WHOOPS this is so belated apologies
<3
I'm not saying it's a problem I could stop it if I wanna — Edward Little
Tonight, the colors of an Aurora sweep overhead, mirrored in the colors that have been swirling around her since she dreamed the other night, and when she wanders by the boombox she has set up on the bar, she pauses for a moment with empty mason jars dangling from one hand to change out the CD that's inside, swapping Patsy Cline for a different disc she'd found weeks ago, back before any of what happened at Easter happened. She slips the disc into place and closes the top, and as she moves off, a wistful classical piece comes drifting into the air behind her. She's got no idea who it is (it's Bach), but it's not really for her, is it?
No; it's for the very last other figure still here with her in this makeshift bar. Probably putting on a collection of relaxing classical pieces won't help much with everything he's dealing with, but she's got to work with what she's got.
She wanders over to seat herself on the arm of his chair, familiar and relaxed as she reaches past him to collect another empty glass. ]
Want another round?
[ Of... tea, probably. But that's fine. She knows why he's here, and it's not to drink. ]
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Here, the colours that have been glowing from him aren't their usual cool shades of grey and moody dark blue and sometimes cold empty black. They shift to other ones: mostly warmer tones of yellow and orange, like steady comfortable flame. (And orange bleeds so easily into a pleasant, dusty pink, and sometimes that ripples around him too.)
The sound of movement, the clink of glass, the shuffle of footsteps — it's all an easy background noise that Edward can settle into. He likes it here, with her. Everything's still so strange and sad and he feels loss like an old familiar wound, like a hole that won't stop bleeding. But here, with her... he doesn't feel alone.
The music changes, and it startles him because he realises he recognises the piece that plays. It's rare that happens, and he shifts out of his half-thought, looks up and around as Wynonna comes to perch on the seat of his chair. He offers a faint, almost-there smile, and nods up at her, close to him. Pink swells again for a moment, puffing across his other colours like a sudden flush of cheeks. ]
Please. Tea will be fine, thank you.
[ Yep, more tea.... as The Englishman drinks away his sorrows the best way he knows how.... But he doesn't want to let his mind slip any more than it already does, these days. He's terrified to lose control of himself again. Alcohol might make him worse. He's still very hungry. (It helps, even if only psychologically, to eat and drink other things and try to ignore what he's hungry for up underneath those.) ]
Bach... [ His eyes flit to the boombox with an almost yearning familiarity, an odd contrast to how novel the thing actually is for him. But it's incredible to hear a piece of music he's familiar with coming from the thing. Like... some glimpse of his home, his time. ] I can't believe it will play on that little device... It sounds as though the instruments are right there.
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cw: suicidal ideation things
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cw: spicy things???? in my Virginal Victorian?? it's more likely than you think
cw: let the spice flow (aka Wynonna is making things worse)
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apparently the inspo I needed was LittleEarp sexting...cursed
we're so back baby!!!
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cw: clothes coming off!
cw: essays about a man's horniness, cannibalistic themes... and he also lowkey thinks he's possessed
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wildcarding this shit (just after tim tells him some Things)
His jaw unclenches to bite down hard on the toothpick between his lips, completely lacking one of his usual brightly coloured overcoats. He'd abandoned them quickly, rushing out of his cabin with an amount of alacrity that he usually only reserves for running for his life.
"Wynonna?!" He's shouting it from halfway across the street, voice unusually high. "Wynonna!"
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...Except then she hears March shouting from outside, and she's going to open the door just as he comes storming up. Her head is still aching from the shock of Little's screams, and his bellowing only earns him an annoyed glare. "Jesus, what now?"
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Wwwwildcard
He had woken up with purpleyellowgreen and black, and he hadn't wondered what this new humiliating little effect of Interloping was- Enola had made herself clear. And then- an earthquake. And Tim had fended off the deep reds and highlighter yellows of remembering No Man's Land and all that it did to Gotham. And then-
and now he couldn't find a blonde and spirited girl among the known and unknown faces here.
And No Man's Land was so... tame, in comparison to the gang wars, the War Games, and the tests only became harder, the goal posts moving, moving, and Tim, then, had had the idea to... stop. Stop everything.
Because clearly Nothing was going to work; Tim had done Everything and it hadn't helped, so logically--
there's a certain type of man that wins these games, because they're the ones who conceive them in the first place. Tim, again, decides: he is going to stop. Stop everything. Because nothing is going to work.
(But before then he has work to do, he has a list he can't not get to, he has to know... that Kate will be okay.)
(Maybe.)
Tim knocks on the door.
The back door.
Of the... bar.
He knocks with purple-blue-red knuckles. The air around him is an obnoxious cyan. Tim feels positively toxic.
He wants it to stop. Oh my god he needs it to stop.
His lips are pulled to a tight line. His every nerve is on fire. He's hyper-aware of the healing (not healed) scratches down a cheek from where the Lieutenant had clawed at him. They make his eyes sting, want to water. He won't let his own damned weakness distract from--
Tim is hyper-aware: this is also something he is going to do wrong.
But it's something he has to do.
He knocks on the door. Cyan and blaze orange and yellowblack. And when the door begins to crack open- Tim cracks too. "I need to talk to you." Rushed and blaze orange and magenta and limeyellow and painful, because Tim doesn't care anymore.
About anything.
But he needs... to talk... to her. at her.
(He'd be deluded to believe he'd talk with her.)
"It's about Kate."
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The mild blues and greens that had been drifting around her flare into something brighter and darker all at once when she opens the door and sees who it is.
(He knocked. That's gotta be a first.)
A flush of red blooms across her, and she blinks, thinking fast: maybe not for the reason's Tim might expect. But the thing is, quiet as the saloon is right now, she does have one patron, the same one that's there almost every time she is. And the last time Tim saw him, he was doing his best to kill him.
But Tim says it's about Kate and fucked up as it all was that Easter in the church, she does think he was trying to protect Kate.
He fucked it up, but it's not like she's got a leg to stand on there. (She's still furious about it. She'd accepted her own hypocrisy a long time ago.)
Wynonna steps back, opening the door a little wider, giving him room to come in. Just to here, though. She doesn't know what might happen if he and Edward see each other. "What about Kate?"
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cw self harm, mentioned past burn injuries, discussion of suicidal thoughts
cw: reference to accidental patricide
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