pre-crisis

Jan. 1st, 2026 08:21 pm
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[personal profile] singmod
January 1st, 2017


Did you remember the power you could summon?
It flowed through the wires, a ghost in the machine.
A Trojan horse; our glory, our servant, our doom.
Where were you when the lights went out?
How far will you go to survive?

— Raphael van Lierop.


Another year draws to a close. With the lack of daylight, or ways of telling them date, let alone the time, Interlopers across the Northern Territories turn in for the night. They curl up beneath blankets or by firesides; whisper to sleeping companions or simply lie in the silence to listen to the wind blow. Some stay up late, keeping vigil on the world outside and the many dangers nature and other forces bring.

A new year comes, the third turning of the year since they first began arriving in this Quiet Apocalypse. All is calm, and quiet. One year slips into history, another steps into the present — looks to the uncertain future.

After all, you remember, much has told you, insisted: this is the ending of all things.

Sleep comes to all, and soon enough a dream comes to. From out of the heavy, peaceful dark: sharp images form. Disjointed, nothing more than mere seconds before the record skips — but you pick out some images:

a flash of bright green light, a shadow looms — a girl before a burning house, chaos, a woman screams: what did you do?! — a dead baby bird, half-frozen, fallen from the nest, hands reaching — the sting of a slap against the cheek, a split lip, a black eye — a fork in the road, a street sign: south is Silverpoint, you turn away — hunger that makes your stomach burn — never again, never again — the sky squeezes itself like a muscle, grasping — flames flickering at your fingertips — the blink of a light on the horizon, in the distance, the churning of machinery — a chorus of screams, agony and sorrow — never again, never again — a knife, carving into an open palm, the blood hot and slick — a thunderous boom, and you feel to earth shake around you —

Silence: this is the ending of all things.

The world snaps into view: Enola kneels in the snow in the midst of a burnt and dead wood. The Aurora shivers in the sky above you. She is pale and exhausted, her hands and furs are stained with blood and although she smiles at you warmly — there’s a weighted look in her eyes.

“We don’t have much time. I can’t do this much longer.” she tells you gently. “It’s coming. I thought— I thought I was keeping it under control.”

The air quivers around you, the ground trembles below your feet.

She holds out her arms, her hands open palms to the skies. Slowly, tendrils of colour drift from the skies downwards and softly spill into each of her palms. They pool there, amongst the blood, swirling softly and glowing—

There’s another thunderous boom in the background, and Enola’s breath shifts — tense, agitated.

One glows pale blue, the other glows pale yellow: “Choose one, if you wish, or if you can.”

Picking the blue light will give the Feat of Cold Fusion, picking the pale yellow light will give the Feat of Efficient Machine. Enola will give you a few moments to choose. If you do not or cannot choose, the lights will dissipate. Her hands drop to her sides and her eyes close for a long moment.

“It’s coming for you.” she warns you. “I can hold back the worst of it. The Darkwalker has been waiting, the solstice has only just come but it doesn’t intend for the light to return.”

Somewhere, in the near-distance, a monstrous sound: low and long and ancient.

She reaches forward in the snow, with the blood on her palms she begins to etch a shape into it: a rune.

“Use this, when the time comes. It will help keep it at bay.” he stares down at the rune in the snow before her gaze moves up to meet yours. “You have power, never forget that.”

Another boom, closer now. Enola turns her head back to look. The ground below you trembles harder, the shaking grows too much and you find yourself trying to catch your balance.

The Aurora above you goes dark, Enola’s head snaps upwards — darkness washes over the pale grey, an impossible void. She gets to her feet, unsteady but ready.

“Go. Now. Run.

It is too late. This is the ending of all things.

The ground cracks and splits in two, sending you both tumbling into the dark, open expanse of earth. You see Enola for a moment, but then she is lost and you are alone, falling through the dark. And as you fall, you realise you are not alone: a breath rattles through the air, a wicked laugh.

There is the slow churning sound of bones and scattering of earth. Out of the darkness appears the violent green of three glowing wolf skulls, impossibly enormous and rising and rising and rising — growing huge and no matter how much you fall it is still there, watching you.

The Darkwalker. The wolf skulls snarl, their jaws pulling into terrible grins. The center of its skulls opens its maw, dripping emerald mucus. It twists and circles you, like a beast circling prey. You feel like a bird trapped, a goldfish in the bowl.

A gigantic skeletal claw rips emerges from the darkness, makes a grab for you.

If the Darkwalker manages to catch you, it may leave a twisted gift behind: the Darkwalker’s Revenge. If you manage to escape it, you’ll be spared from it. There is a deafening sound, like something splitting open. And then you fall and fall and fall and fall—

When you awake, it may be with a shudder, a cry, a scream. The world around shudders, like some kind of lingering aftermath of the dream — only it’s real. You are disturbed, and you will find your surroundings in disarray. Something has happened. You wonder if it might be another quake. The sky is calm outside, but there’s an eeriness that hangs in the air.

Interlopers who were caught by the Darkwalker will feel sick to their stomach, exhausted. Perhaps even feverish. They will not be able to rise from their bed, spending an entire day sick with some unknown illness. By the evening of the second day, they will begin to improve and feel… stronger, somehow. Revitalised. The night is long and bitter, but they are not afraid of the dark. But do they understand the price?

Interlopers who chose the pale yellow light will feel content, like one does after a large meal. That pleasant kind of sleepiness that comes with it. They do not realise that this day will be the last time they ever feel this kind of satiated. There’s something within them that understands: they are blessed, perhaps by Mother Nature herself.

Interloper who chose the blue light will feel that despite the temperature, they are completely cosy and warm. They do not feel the slightest chill. It is perhaps only once they are around others that they truly notice the difference — they are cold to the touch, lacking the heat they once had. An understanding comes: they are at one with the cold, it will not beat them, it will not cause them agony. Winter is at peace within them.

It is a new year, and this is the ending of all things. The world is different, more open. You'll understand how in time.

You are now much closer to the end.

interlude

Dec. 31st, 2024 11:46 pm
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[personal profile] singmod
January 1st 2016


What kind of survivor were you?
Did you walk the expanse of nature, and feel the wind burning your soul?
Did it remind you of who you were? Did it shape you? Did it break you?

— Raphael van Lierop.

Another year draws to a close. Over a year has passed since the Interlopers began to wake up and find themselves in the Northern Territories. Winter’s grip is tight, and the long night feels endless and bitter. On the final day of the year, the sky is alight: the Aurora comes — the ethereal chorus, like a haunting lullaby, the fizzles, cracks and pops in the air, the stuttering of electrics as they struggle to power on and then blare and flicker. The clear skies glow with swirling light.

Interlopers will fall asleep all over the Northern Territories. Even the ones who fight sleep and try to stay up into the small hours of the night will find themselves drifting off for a short while — as if their eyes just feel too heavy to keep open, and their minds slip into a deep kind of quiet darkness without realising. And at first, there is nothing — nothing but the quiet dark. Something peaceful, almost.

A new dream comes.

The scent of charred wood hangs in the air, a little petrichor. The world is cold and empty and dead, and you find yourself trudging through the snowy undergrowth of a burned-out wood. The sky above you is a pale lavender-grey, a strange half-light gloom and a mist drifts around you. Booms of distant thunder echo above you, flashes of green lightning rippling through the clouds.

You don’t recognise this place, nor do you know where you’re going but you still move forwards — picking any direction and hoping for the best.

Then it comes to you like a song, a reminder: this is the ending of all things.

Oh, you know. You know this. Deep in your bones. You understand this, an innate kind of understanding. And yet, you keep moving. Keep trudging through the woods, looking for… something, you don’t know. You think of loved ones, of friends. You are searching, you are rushing towards—

The brush snags at you, makes you trip and stumble. You are exhausted, and you know, you know

This is the ending of all things.

When you look down, there are shapes in the snow and dead undergrowth. You reach for them, only to find the things you reach for— Bones. Animal. Human. Scattered, half-bleached by the elements. You many be filled with horror, loud and jarring. You might be filled with sorrow. You might even be filled with something muted and quieter, something like resignation.

This is the ending of all things.

There is still so much further left to go, still so much left to do. This world does not feel so strange and alien to you now. You keep moving through the woods. The green grows more prominent the further you go, it bleeds across the sky. The trees thin out, up ahead you can see a figure.

This is the ending of all things.

You find her kneeling in the snow, her hands are bloodied and she presses them into the earth. She is crying, in pain, exhausted. Something quiet and restrained. Her mouth moves, uttering words but you cannot tell what the words are. Blood drips from her lips. Enola.

Before her, before you both, the ground falls away to an unknowable, immeasurable darkness. Not the dark of night, or the darkness found in corners or rooms — a void. There is nothing. There is the end.

Do you remember who you were? Do you know who you could be? Will you be broken or will you be shaped? Did you think you were insignificant?

Enola opens her mouth, she screams—

You snap from sleep with a start, a scream, a shudder. The night is dark, the Aurora is gone. Everything is still and silent in the dream’s wake.

Happy New Year, Interlopers.

prelude

Jan. 1st, 2024 12:12 am
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[personal profile] singmod
January 1st 2015


Do you remember yesterday? What is tomorrow?
How will you face this quiet apocalypse?

— Raphael van Lierop.

As the old year falls and the new year begins, the skies fill with light. An Aurora comes on the last day of December, and with it the usual signs of it: the ethereal noise, the cracks and pops in the air, the stuttering of electrics as they struggle to power on and then blare and flicker. It is, as Interlopers have come to know, business as usual — in terms of the Auroras within this world. However, something a little different happens this time.

Interlopers will fall asleep all over the town of Milton. Even the ones who fight sleep and try to stay up into the small hours of the night will find themselves drifting off for a short while — as if their eyes just feel too heavy to keep open, and their minds slip into a deep kind of quiet darkness without their realising. And at first, there is nothing — nothing but the quiet dark. Something peaceful, almost.

A dream comes.

The first thing you notice is blood in your mouth, the cold in your bones, the deafening din in your ears — as if you are caught in static and the sound of howling winds through pine trees. You are afraid. At first, you do not know why. You find yourself on your knees in the snow. The skies are filled with green light, the air is thick with smoke. And then the realisation comes:

This is the ending of all things.

You look up, to the sight before you: a huge, shapeless shadow. Towering above you, over you. A head peers down at you: a cluster of three wolf skulls, eye-sockets glowing green and terrible, and their three open maws, dripping with more green. The sound it makes is unnatural, you cannot put it into words. The darkness draws in, you are so cold, so tired.

This is the ending of all things.

It is so hungry. You are so tired. The world falls away, you cannot see the stars, the dark hiding them from view. Were they even there to begin with? Or did they go out? You have forgotten. And you know, you know

This is the ending of all things.

The skies glimmer, licks of strange, colourful wisps curl above — a voice screams out your name, from the static and winds. Through the noise. A woman’s voice. You have heard this voice before, in the lights and noise. Do you see? What could be? What you could become?

Can you hold on? Please. A hand grips your shoulder, but as you turn — the dream ends.

For some, they snap into waking with a shout or cry. Some will shudder awake to find tears in their eyes. All over Milton, the Interlopers wake: shaken, unsure, afraid. They will awaken to the dark: the Aurora is gone — slowly fading from the night skies into an otherwise calm and clear night.

It is a new year.

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