✟ 𝟹𝚁𝙳 𝙻𝚃. 𝙹𝙾𝙷𝙽 𝙸𝚁𝚅𝙸𝙽𝙶 (
extramuralise) wrote in
singillatim2025-07-13 03:20 pm
Entry tags:
i have given my confession to the snow } OPEN.
Who: John Irving (
extramuralise) + OPEN!
What: Irving returns from Silverpoint, Bible study / seminary homeschooling, & various other occurrences.
When: throughout July (& possibly onward)
Where: Silverpoint, Milton & surrounding areas
Content Warnings: repression, religion, repentance etc... you know, the usual; will update as needed!


What: Irving returns from Silverpoint, Bible study / seminary homeschooling, & various other occurrences.
When: throughout July (& possibly onward)
Where: Silverpoint, Milton & surrounding areas
Content Warnings: repression, religion, repentance etc... you know, the usual; will update as needed!


( closed & open starters! feel free to PM or plurk me @
reggiemantle for plotting, or just wildcard me something, babbyyyyyy! )

✰ men will cry unto the mountains⸻⨟ O P E N.
► TAKE ME TO CHURCH;
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July (it took Teddy a while to determine the date, but now that they have they’re determined to keep track of if) hasn’t exactly been uneventful. For better or worse, or maybe just both at the same time. Nothing since arriving here has; obviously just getting used to living off the grid is a change, but that at least isn’t entirely foreign. Everything else…the weird fogs, the aggressive animals, The …Darkwalker? occasionally dropping in to make Teddy feel briefly insane before they’d figured out that wasn’t just them (if it can kill people why bother being vaguely insulting and creepy, though?). Those are the things that make the other shoe feel about to drop.
But you can’t be on alert every second, and the truth is that it really doesn’t take Teddy long to get impatient with things that just keep her alive. If nothing else, she could be helping other people. Or entertaining someone — hm, she should see if the musicians around want to do something - or learning —
And if the memories dredged up early in the month have made Teddy a little guiltily aware that wanting to help people has to come with actually acting on it… Well, nothing wrong with that.
They’re considering all this, taking an unhurried walk to try and get a better feel for where everything is in the town, when they spot — first, the church, but more unexpectedly when looking at a clearly dilapidated building, a man bringing a bin of detritus and dust out.
“Oh—“ Teddy startles, stepping out of the way. “Sorry. I was just — taking a look. I’m…pretty new.” Probably evident. “Do you work here?”
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Irving, too, struggles often with trying to subdue his prey animal sense of night-constant hyper-alertness, which is an especially difficult condition to overcome or control when appearing in a world like this one not so terribly long after having just died violently in your own— coming off a Naval expedition already riddled with dangers, discomforts, and outright problems, not least of which had been the enormous polar bear spirit-creature which had stalked and hunted their crew for the entire duration of the time they'd been stranded.
And Irving, well, he has always been a natural worrier; one of those perpetually flustered, list-making sorts. The kind of man who feels most content from prayer, busywork, and mindless tasks like cleaning out old, abandoned churches.
Turning the bin over to empty it of dust and other natural debris, he startles a bit, too, mainly as he hadn't been expecting anyone to come by the church at this time of day, though he's hardly displeased by the development. Who can say how well-attended this church used to be back before Milton became a ghost town, but as of now there has only been a small handful of church-goers among the (also rather small) Interloper population.
Irving looks at Teddy, then glances back at the church with a tentative shake of his head.
"Nobody works here— not really, although I aim to change that soon. I'm just doing some tidying to make it a bit more habitable in there." There's a beat of silence as Irving regards Teddy again, before offering a polite smile. "Though you can still go ahead inside, if you like."
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Excuses that he doubts Irving will listen to, but his point stands.
The busy beaver nature of John Irving has inspired a bit in Dorian as well—though his focus has mostly been on the cellar space below the church. Considering that a few unsavory things have happened in that cellar space, best to clean it all up before the altar boy starts poking around.
One day, their cleaning schedules overlap: Dorian dragging a bucket of dirty water up the stairs, only to run into Irving working on some of the windows (how aggravating). He clears his throat, mostly to get the other man's attention, before asking, ]
No need to worry about the cellar. It's hardly spic and span but it's a cellar, that sort of room is never going to be perfectly clean. Have any use for dirty soap water, or shall I empty it outside?
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The idea is to unsettling to dwell upon, especially knowing that if anyone has taken residence here unbeknownst to him, then it couldn't be a man (or, he supposes, even a woman) of the cloth — Irving would surely know if any had finally arrived in Milton — nor would it seem to be anyone interested in maintaining the actual upkeep of the building — let alone improving it! — which, by process of elimination, makes the culprit most likely a squatter who has for some (most likely sacrilegious) reason chosen the to say in the church rather than one of the many empty houses that populate the town.
Suffice it to say that Irving finds the notion about as appealing as finding a family of raccoons living in his attic would be, if not even worse. So, yes: Dorian's appearance from the cellar downstairs comes as a bit of a surprise. It's the one part of the church Irving hasn't yet explored, although he's been telling himself to at least have a look to assess what level of disarray must be waiting down there.
He's currently on his hands and knees, scrubbing around the base of one of the stained glass features that run almost floor to ceiling. ]
Ah— [ He blinks, stunned briefly into speechlessness. ] Well, y-yes, I would assume that'd be the case... I'm sorry, I hadn't realized anyone was down there.
[ He frowns mildly, considering the pail of dirty water. ]
And you may as well just toss it— with how often it snows here, we thankfully shan't likely be facing any water shortages in the near future.
cw brief reference to gore!
There's more cleaner in the kitchen cabinet, [ Dorian muses. ] I'll grab that after I toss this—ah, don't go out the back. Obviously I'll try and toss the water not directly in front of the door, but I can only do so much.
[ Especially considering that, based on those scrawny little playboy arms, Dorian has zero muscle tone. He half carries, half drags the bucket to the back door of the church. As he opens the door, a blast of cold air shoots into the room. Dorian empties out the bucket, shivering slightly, before he loudly calls back, ]
Might as well scoop some more snow to melt for more water. No use getting cold twice.
[ He says 'getting cold' like it's the worst thing on earth. ]
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Sometimes, he muses in his more philosophical moments, perhaps He made Rorschach the way he is because he needed someone physical on Earth to carry out the vengeance He once wrought Himself in the Bible, an avenging angel in the form of a man who had such a tender heart that he had no other course of action but to form a hard stone shell around it instead so that all the suffering he saw in his day-to-day life around him wouldn't overwhelm him completely.
In the time he's been in Milton, Rorschach has gone to the church on a number of occasions, though it had lessened after the massacre the Darkwalker had wrought occurred in there. Sometimes he wonders if the specters of those that have died haunt the place.
But today, he feels more contemplative than usual. He opens up the door about an hour before the sun would be going down if they weren't caught in this cycle of eternal sunlight. Ever the observant one, he notices that the place looks a little better than it has been, as if someone has been cleaning up around there. Interesting. He finds a pew that's less dilapidated than the others and takes a seat. He leans back, looking up, as if hoping somewhere in the semi-gloom of the roof he might find the answers he seeks.]
Am I on the right path?
[He thinks he's the only one in the area and so speaks with his Aurora Call power to the Almighty, that hoarse, deep, and gravelly voice projecting outwards.]
If You brought me here for a reason, I want to know what it is. To protect the innocent? To remove the wicked? To just make sure they all survive? If You've got a plan, I wouldn't mind knowing what it is.
[He pauses, sighing audibly.]
Why do I even ask? You've never answered before and never stopped me from what I've already done. Either You already approve or You just don't care.
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Some, like John Irving, even go so far as to compulsively forbid themselves against any efforts of overthinking the myriad paradoxes and contradictions inherent to their faith, as if to merely so much as question God's will would be almost as grand a sacrilege as to outright cast doubts upon Him. After all, the Lord works in ways both evident and unknowable for they, the most wise of all His humble Creations, and how could that not be according to His greater Plan for each and every one of them? Everything must, surely, still happen for a reason, and regardless of whether or not one has yet the clarity and fortitude needed first but to fathom it, it is simply not their place to question why.
Now, on this particular day, at this particularly moment, Irving happens to be out back behind the church taking his customary midday break to hastily gulp down a sandwich for strength and sustenance when suddenly, alarmingly, an unfamiliar voice seems to blare within his mind, asking (admittedly, for the most part, reasonable enough sounding) questions, but—
He gets up, rushing back inside through the back door. ]
Hello? ... Is someone there?
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When he gets closer, Rorschach realizes he recognizes him. He's seen Irving before at bible study, though he's never talked with the man before. Rorschach never really contributes to the discussions. He just shows up, listening while hanging around at the back of the room like some feral cat, and then departs again. He's always silent as the ghost his mask makes him resemble, never saying a word.]
Someone is.
[The two words are said darkly and a little sardonic. He might as well own up to what he'd said. It's not like there's anyone else around he can blame it on.]
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The layout fails to signify much to her. She notes the pews, the dais at the far end. Some manner of assembly hall? On the Prosperity they'd all had to crowd into the emptiest cargo bay if the captain wanted to address everyone at once, but buildings planetside have no such restrictions. She notices the fragments of colored glass swept into a pile, and sees that the offending window has been boarded up, and she begins to feel a certain unease. It isn't utterly deserted, then.
A moment later she spots him. Irving, standing behind some statue, scrubbing at it.
Tayrey takes a quick step backwards, immediately assuming she has intruded. Shipside, privacy is sacrosanct, and her perspective hasn't changed even now that she has a living space larger than a cupboard.]
My apologies! [Her words are hurried, but loud enough to echo through the space.] I didn't know that there was anyone... living here? [It's said with an upward lilt, a hint of doubt.]
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In theory, that is, if not necessarily always quite so in practice, but Irving himself certainly has no intention of turning anyone away even had he such the authority to actually do so— which, of course, he does not. Technically Tayrey has near to as much every same right as he does to be there regardless of her own personal reasoning for doing so, but Irving is no less startled by her sudden presence than if she actually had been in some way trespassing. ]
Oh— [ He jumps slightly, almost dropping the brush he's scrubbing with in an inelegantly clumsy fumble. ] O-oh... n-no, not at all, no apologies necessary, Miss.
[ He smiles at her with an awkward timidness, shaking his head. ]
I'm only doing what I can in order to help restore the place, but I couldn't live here. I... [ He looks around, equal parts assessing and also sheepish. ] I'm not so sure that it's even quite fit for being lived in, at the moment.
cw internalized fatphobia
But SERE-C has remained on his mind. How would it not? He uses what he learned daily; he sees the mistakes his instructors warned him about in other people when they're out in the wild. He's not a certified instructor, which requires a level of last-man-standing survival proficiency and rugged endurance normal people could only dream of (and certainly someone like Freddie as he is now), but he has a good memory, and he's trained. He's been deployed three times, even if it was to deserts every time, and he knows more than a lot of these people.
He needs a place to teach, and there are only so many chairs to be had in the community center. It would be an ordeal and a half dragging in more from the various cabins around here, and then people would just have no chairs until the class, which will no doubt last at least a month, concluded. And then they'd have to put away the chairs and set them back up every single day so that the community center could be used for its original purposes, and that would get tedious and inconvenient fast.
But a church. It's a place designed to hold people while they listen to one man speak, it should have a small stage for a choir that he can demonstrate on, and there's a flat meadow beside it where students can go out to practice. It would be perfect, and, in Freddie's humble opinion, a much better use of the building than its original one.
The man who seems to have taken over renovating the church is none other than the Lieutenant Irving who led him to the community center, and from that alone Freddie knows him to be a kind man. He's a Christian, no doubt; given that he's a mid-1800s Englishman that's more-or-less a given—but at least he's no doubt Anglican, ironically more similar to his own background than the Southern Baptists and snake-handling Pentecostals with their ankle-length skirts and butt-length hair he had to deal with encountering in Louisiana. This guy, at least, doesn't literally believe the devil is going to come out of the ground in the form of a snake and tempt him, which is more than could be said for a lot of the people Freddie knew almost two hundred years after his time.
So, while the fact that he's religious isn't ideal, it could be much worse. It's not enough for Freddie to immediately dislike him like it would be were he from some other, more fundamentalist American sect.
He knocks on the door of the church before he opens it, even though he knows that's exactly what people who run churches don't want you to do because they want you to feel like everyone is welcome in the house of God at all times. The doors are no doubt only closed to keep out the cold, but still, it's hard to overcome the urge to at least warn whoever's in there that the doors are about to swing open.
Freddie steps in and does see Irving; he's at work trying to swat down some cobwebs from the rafters with a broom held by the very end of its stick. Good thing he gave that heads up. ]
Lieutenant. Sorry if I'm interrupting.
[ Even if they're no longer in their respective services, that's the shared context between them: Lieutenant Irving of Her Majesty's Royal Navy and Major Lavoie of the United States Air Force. He's dressed the part, too: though he wears the heavy wool overcoat he found with Maelle shortly after his arrival here, half because it does a good job hiding the unflattering contours of his body, he's done his hair before coming, made sure he looks respectable. He also got and still gets the feeling that Lieutenant Irving is gay, and he is both attractive and slimmer than him, and he is not going to swan dive into the role of fat and gross that seems so easy for that demographic to pin him in around this man by coming in disheveled. ]
I wanted to ask you about potentially using the space for a community project. I uh, I found this while I was scrounging and thought I'd bring it over while I was here in case you had a use for it.
[ He holds out his find after approaching: a half-empty bottle of Murphy's Oil Soap with a peeling label, and some rags to put it on. The pews look like they could use it, at the very least. ]
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He lowers the broom in a wide, careful arc so as not to drop any dust or cobwebs straight down upon him, then turns his attention to the doors. ]
Ah, Major Lavoie!
[ Truthfully, there have been a good many days, and particularly as of late, in which Irving has not missed the Navy at all; frankly, even before his end had finally come, even before he'd so much as been hired aboard the Franklin Expedition, it had been rather a fraught and troubled relationship for quite some time already. Still, lieutenant does remain among the most comfortable forms of address for him, and of course Irving would never think to disrespect another serviceman by not referring to him ("they") by his ("their") own proper title— he only hopes he hasn't gotten it wrong, as he's far less familiar with American military hierarchies, never mind their so-called Air Force.
Irving steps down off the chair and, despite his prior cautions, still brushes off any dirt or dust that may have landed on his shoulders before approaching with the timidly pleased smile of someone who is glad for either an excuse for a break, or for the company— or in this case, most likely both. ]
No trouble at all, [ he goes on, in that ever-favored insistently polite British manner: clipped and efficient, yet soberly earnest. ] What is it that you— oh, what's this?
[ Irving's gaze drops down to the bottle Freddie proffers to him. Intrigued, he inspects the bottle carefully, both because the product is unfamiliar, and because he's still unaccustomed to handling bottles not made of glass or metal of some kind.
The words wood cleaner are clear enough, however: he beams at Freddie gratefully. While normally he might be mildly skeptical of such a product, he can use all the help he can get with cleaning that damn wood. ]
M-my goodness, this is very generous. You have my thanks.
[ He clasps Freddie's hand and quickly shakes it in gratitude, before then gesturing for Freddie to sit, if he'd like, in one of the cleaner pews. ]
Now, please— go on, what sort of project have you in mind?
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Well, I’m glad it’s gone to a good home. I was thinking about teaching a course here in Milton. To be a pilot I had to go through some pretty intense survival training in case my plane ever went down. Things like finding food, shelter, water, warmth. Treating injuries.
[ Beat. He’s heard about the Forest Talkers. ]
Escaping capture and resisting interrogation. I’m not certified as an instructor, but… I think a lot of it would be useful to the people here. The problem is that I need somewhere to teach it, if you catch my drift. Somewhere with a lot of seating.
[ He nods to their environs. ]
I'd be happy to help you with cleaning the place up.
cw (extremely oblique) suicide implication; fear of H * L L (!!); various deranged mental gymnastics
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⸻❝ they'll pray to die, but cannot win ❞ } for EDWARD LITTLE.
( The enclosed bundle of letters have been written by John Irving, to Edward Little, while the latter (Edward Little) has been away and living apart from the cottage which has become their shared homestead— throughout the months of May & June, many of which were written while the former (John Irving) was away himself visiting the coast of Silverpoint. While these letters would ICly be dated I have chosen to forgo including dates here for the sake of simplifying timelines. )
► ❶
► ❷
► ❸
⸻❝ when the firе comes down from heaven ❞ } for TIM DRAKE.
t is very difficult to remain calm about being trapped inside a burning building, especially when it's a building you have absolutely no recollection of either visiting or entering. Irving shouldn't be here, so why is he?
The building is burning and no matter how long Irving runs for, he still hasn't manage to find any sign of an exit, nor does he seem to get any closer to the screaming children he can only — if he strains and knows what to listen for — just barely hear over the roar of flame and the splintering gunshot crackle-pops of collapsing wood exploding glass. The hallways lead only to more hallways and then more hallways still, every step bringing him no closer to anything but the fearful certainty that he will die here if he cannot find the staircase that would surely usher him straight down to the front door; he'll die like a rat in a trap, like the 76 men who perished while trapped within the burning maze of Carnivale tents that had so quickly turned from revelry into a nightmarish mass grave.
Finally he does find a staircase, almost blind with panic as he forces himself down it carefully in case the whole thing were to crumble to pieces below his feet, or if he were to simply trip down them and break his neck. Neither occur and he makes it down safely, only to immediately stumble over a body on the completely smoke-obscured floor and then sickeningly recognize that he's just collided with the dead weight of a corpse.
"God help us," he chokes out, wrapping his scarf around his nose and mouth as if to protect himself from both the smoke and the smell, that horribly unforgettable sour cooking flesh kind of smell, but no matter which direction he tries to move in there are still more bodies.
Through the smoke Irving can see the silhouette of a boy meticulously circulating himself throughout the room to inspect them all, perhaps even one by one, but he calls out to the first sign of life besides his own that he's seen so far: "What are you doing?! There's no time— we've got to get outside!"
cw death mention
(It secured life when life was unsteady, and is warm and comforting when everything else is cold around you-- until it turns and bites you like a dog that never knew your face and you're left there swearing up and down that you were companions through the betrayal-) Holy-- pause. Wait. Uh-uh. Oh. Oh. No. No, he really, really promises that he didn't mean to compare Steph to a dog, not like that, oh my god, he's not, like, he didn't mean it like, uhhhhhh For fuck's sake, anyway: fire. Fire bad. (But not all the way unpredictable.)
It's Milton House standing in the same layout and same damned state as Milton House of yesterday. Tim had hurried Kate out of the flames the first time; had detoured and dawdled a little too long because of ghosts. Then he'd returned and found Robin in a particular pose, on his knees and speaking to... Alfred? Alfred's ghost? is that what had happened back then-? And for one rare moment they had worked together and put aside the phantoms (the children, the backdrafts, the pains of fire) and Tim figures they'd done pretty damn well back then:
the powers the Interlopers are gifted all tell a story, and when someone is bent over with bone-wracking guilt they will always want to tell a story.
Anyway-- this is a story playing out, just as his was played out for Kate (and for Bruce). And it's not just guilt that tells stories. The dead do, too.
Tim isn't squeamish around the dead anymore. That shouldn't be okay.
But he doesn't mind it as much as he minds the way the smoke turns dark and darker still, and his throat is tasting the revolting taste of h u m a n as the fats and flesh are consumed in front of him. Tim Drake is bothered by the smoke because it means he has to get closer to the corpses, get his hands on them to turn them-- gently as he can, always gently (once upon a time he was called a very... gentle boy).... and he's bothered by that barking. When he turns his eyes to the source: another man, thinking he knows what's worth his time and what isn't, and Tim feels the guilt as well as the searing-white anguish of fire at his leg (it's a ghost, a projection, it's fine despite the way he clamps his teeth together to keep from howling) that compels him to explain
"I'm staying! I don't know if my brothers are dead!"
Fucking hell, that's gotta mean something!
cw also death mention / ptsd in general
Feeling light-headed, it takes another moment for Irving to orient himself enough to relocate the boy through the rapidly thickening smoke, which, despite the broken windows, has been taking on opacity from the increasing lack of circulating oxygen.
Brothers, did Irving just hear him say? You mean to tell him there are people here with their brothers?!
"And so will we both if we don't leave here at once!" he manages, lowering his scarf briefly so that his voice might actually carry over the ambient noise of destruction. The boy sounds young; Irving can't just leave him behind. What kind of monster would do that? But making his way any closer to drag the boy back up to his feet requires first stumbling through a minefield of hidden bodies, and... well, he'd have to do that anyhow just to make his way to the door, wouldn't he, so he supposes that it's on the way.
cw past injury, and let's just make the death & ptsd a permanent label here
Tim gasps.
You know, because being on fire hurts. The jacket on him is thin and he knows not to swat at the tongues of red and orange. In a fluid movement he's shed the jacket.
And there's no choice now, and, coughing, he hates it. Hates the relief of seeing the shadow of the man stumbling through thick smoke:
clumsy. needing help.
Another moment and with ash in his lungs he's moving deftly to get a hold of this other person. A wildcat of a young man, so in his element as the world strains to eat them all alive. There's barely a blink of a second where Tim's coughing subsides, and he can't not make use of it- "Door's this way!"
SEEMS REASONABLE YEAH
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cw sssstalking, past injury
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⸻❝ and thе blood shall fill the sea ❞ } for JAMES FITZJAMES.
he Cannery in Silverpoint looms especially large and ominously after the unforgettable Goldner's tins disaster which had previously befallen those few who still remain here of the ill-fated Franklin Expedition, yet nonetheless has Irving still been finding himself increasingly — if not indeed also borderline compulsively — preoccupied by a persistent spiral of tirelessly repeating thoughts which have been threatening to drive him at least halfway towards distraction.
There have been many murmurings of gossip circulating throughout the village about how there apparently might still possibly be a reasonable cache of remaining edible stock somewhere within that now derelict maze of warehouses, hopefully all sitting pretty there amongst the thick layers of dust and filth and ruin of so many years past, surviving even now in a state of perfectly unspoiled preservation. (Hopefully.)
But just to think about what such a thing could mean for their humble community should it prove to be actually true, should the tins be not only retrievable but also undamaged with all their contents still edible— Irving's mathematical little mind spins thrillingly with so much anxious hope and potential. As wary as they've all become of eating anything from a tin can these days, surely they have to at least go and have a look, right? Just in case?
And so Irving goes to seek out Fitzjames, in order to validate if perhaps his Commander, too, might believe that this could indeed be a worthwhile endeavor, and then if he might also be willing to accompany Irving along for the task— because regardless of whether or not the Cannery does turn out to be a great boon upon their resources and supplies, it doesn't at all seem like a safe place to go venturing into alone.
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A part of him feels guilty for it, as though leaving for Silverpoint is the same thing as running away or, worse, absconding from responsibilities. He feels like he should be doing something more, like he should be staying to assist with the next horrible thing that happens, but what could he really do by staying there? He can't stop these things from happening, and Silverpoint is their only lead in finding a way out of this place entirely. It's reasonable to make the journey, especially with Irving going back as well.
And so, James had made the trip once more, this time accompanying by a new friend; his newly adopted dog, Scout, travels with him, and makes the experience far more bearable. James has only had the malamute for a week or so, but she's already improved his mood a great deal, something which he'd desperately needed after the trauma of the last month.
He's managed to get a room at the Inn, and so that's where he and Scout are when Irving comes looking for him. James opens the door right away once he realizes who it is, offering a small smile and immediately stepping aside to let Irving in, as Scout watches curiously from the bed.
"Hello Lieutenant. All well?"
He seems alright, but still best to ask.
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Is he just projecting? Well, yes... but maybe not entirely, either, because aren't certain people simply owed the loyalty of not being left behind? People whom Irving would feel as though he's betraying with desertion? Of course. And while his sense of responsibility towards those few may be almost entirely self-appointed, there are still people in Milton — almost the community as a whole, really — to whom he feels he owes some kind of debt of service towards, and so to leave would be to therefore callously abandon them to their fates in pursuit of greener pastures.
All the same, to Silverpoint he's gone once more, driven as he always is by a renewed — if, this time, somewhat trepidatious — sense of purpose.
"All well, sir," he affirms with a small smile of his own, grabbing the brim of his cap between two fingers to remove it as he steps inside. "May I presume that I'm not interrupting?"
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